2010 CAMPUS CLASS SCHEDULE

April  |  May  | June  |   July  |  August  | September  | October 

 November  |  December   |   January 2011  |  February 2011  |  March 2011

Please Note: there may be several classes per month. Please scroll down to view more classes.




May 2010 Registration Now Open

GUERILLA TACTICS FOR WRITERS IN A SLUMP


INSTRUCTOR: Lori Wilde
DATES: May 3rd – May 30th, 2010
COST: $15 - Members, $25 - Non Members
REGISTRATION DEADLINE: May 1st, 2010

COURSE DESCRIPTION

Have you been writing a long time and while you’ve received some recognition for your work you’re just not getting the attention you deserve? Or, were you published once, then found yourself without a publisher and now you can’t get break back in? Or are you currently published but your career seems to be barely bumping along?

This workshop is designed provide answers to those questions and catapult you onto the publishing fast track. Guerilla Tactics for Writers in a Slump will illustrate exactly what’s holding you back and keeping you from being the writer you’re truly meant to be.

Topics covered include

1. Identifying What’s Holding You Back
3. Shifting Your Writing into High Gear
4. Toughing the Mind of the Writer Warrior
5. Toughing the Body of the Writer Warrior
6. Honing Your Battle Plan
7. Your Marching Orders

PRESENTER BIO
Lori Wilde has sold fifty-two novels for four major New York Publishing houses. She holds a bachelors degree in nursing from Texas Christian University and a certificate in forensics. She volunteers as a sexual assault first responder for Freedom House, a shelter for battered women. She has also served as the RWA National conference workshop chair and PAN retreat chair.

She is an instructor for a company who provides online community education to over 1500 colleges and universities. Lori is a past RITA finalist and has four times been nominated for Romantic Times Reviewer’s Choice Award. She’s won the Colorado Award of Excellence, the Wisconsin Write Touch Award, The Lories, The More Than Maggie, the Golden Quill, The Laurel Wreath and The BestBooks of 2006 Book Award.

Her books have been translated into 22 languages and excerpted in Cosmopolitan, Redbook, Complete Woman, All You and Quick and Simple magazines. She’s appeared numerous times on the Waldenbook’s bestseller list, The Barnes and Noble bestseller list, Bookscan Top 40 and Ingram’s Top 50. She lives in Texas with her husband, Bill. Find out more:
www.loriwilde.com


June 2010 Registration Now Open

HISTORICAL ANGLES


INSTRUCTOR: Beth Daniels
DATES: June 1st – 28th, 2010
COST: $15 - Members, $25 - Non Members
REGISTRATION DEADLINE: May 29th, 2010

COURSE DESCRIPTION
History, they say, is written by the winners. So how do YOU become a winner when it comes to writing historical fiction? In many ways, actually. There are subdivisions in the field that run the gambit from true-to-life depictions to twisted, altered versions of events and outcomes. This workshop looks at every angle from which a historical novel can be written and branches into the research necessary, the creation of believable characters, settings, details, and looks at some of the practitioners – the successful ones – in this very diversified genre. We’ll look at some movies and TV series, too, for visuals (though these will not be viewed within the workshop).

Some of the diversifications include: a historical personage as the main character; fictional characters working with historical personages; and fictional characters within a real historical event or merely within a historical period/society. There are also the distinctions between brutal depictions of war (as in Bernard Cornwall’s Agincourt), a view from the other side (as in C.C. Humphreys’ Jack Absolute series), the many faces of historical romance, the historical setting in mystery, and alternative history in fantasy and science fiction.

While this workshop deals with romance it is far from limited to just the romance end of the scale. The scope is the entire historical marketplace. A list of publishers of historical novels will be included in the workshop materials. Among things covered are: medieval and renaissance settings, the royals of Europe, European wars, the Colonies (U.S. and Australia), the American West and the Western, Victoriana, Holmes and his brothers-in-deduction, and the 20th century historical.

The instructor is the author of six historical romances, holds a BA in History, and is a volunteer at one of her local historical sites. She reads voraciously in the historical fiction field, citing George MacDonald Fraser, Bernard Cornwall, C.S. Harris, Georgette Heyer, Kathleen Woodiwiss, and Laura Kinsale among the authors she not only reads but rereads.

This is set up as a four-week long workshop with reading and searching assignments given once a week. The only prerequisite is an interest in writing historical fiction. The workshop would be open to writers at all levels of their career, although beginners and intermediate level writers would be the main focus.

Sample syllabus:

Week #1

  • Introduction and overview of the historical novel marketplace/genre.
  • Lecture #1 – Determining the focus and voice, the period or era and country. Doing the research.
  • Assignment related to lecture given.

    Week #2

  • Lecture #2 – Staying true to your period. Looking at how the male authors do it: Fraser, Cornwall, L’Amour.
  • Lecture #3 – A look at the ladies: Harris, Heyer, Gregory.
  • Assignment related to the two lectures given.

    Week #3

  • Lecture #4 – Historical romance
  • Lecture #5 – The historical mystery
  • Assignment related to lectures given.

    Week #4

  • Lecture #6 – The alternative historical novel
  • Lecture #7 – The marketplace. List of markets given. The wrap-up.
  • Assignment related to student’s goals in the historical marketplace.

    PRESENTER BIO
    Beth Daniels currently writes as Beth Henderson and J.B. Dane, though she answered to Lisa Dane and Beth Cruise in the past as well. She has worked with editors at Berkley, Zebra, Leisure, Harlequin/Silhouette, and Simon and Schuster's Aladdin Paperbacks, done e-books for a now defunct company (not her fault, she says), and began her writing life with hardcover books slated for library use with a publisher that got out of the romance business (again, not her fault). More recently she’s had a number of articles about writing picked up by e-zines, saw a short story published in a mystery and suspense magazine that turned up its toes the next year (really, really not her fault), and has a story in the MOTHER GOOSE IS DEAD anthology slated for publication by Dragon Moon Press sometimes in 2010.

    For over a dozen years Beth taught college level composition, both in the classroom and online, and a credit course on Novel Writing. Five of her former Novel class students are now published.

    Twenty-six of Beth’s manuscripts have appeared in print or e-book format. These have been historical romantic adventures (6), romantic comedies (10), romantic-suspense (3), and young adult romantic comedy (7). Her titles have appeared in 12 different languages in over 20 countries. At the moment she is working on various manuscripts and attempting a collaboration with another RWA member on a contemporary/fantasy/romantic adventure. She also ventured into self-publishing to keep her out-of-print backlist in print, but previous e-books in print, and in frustration, to move beyond a manuscript she’d been reworking for editors for a decade with no bites, released a previously unpublished historical romantic adventure set in the American West.

    She is currently/or has been a member of/or about to renew membership in Romance Writers of America, Sisters in Crime, Novelist Inc., and Historical Novelist Society.

    Visit her online at: RomanceAndMystery.com



    SOCIAL NETWORKING: RESOURCES FOR WRITERS


    INSTRUCTOR: Nika Dixon
    DATES: June 1st – 28th, 2010
    COST: $15 - Members, $25 - Non Members
    REGISTRATION DEADLINE: May 29th, 2010

    COURSE DESCRIPTION
    Social Networking is becoming a key tool to self-promotion. Many authors, publishers, agents, fans and readers are actively using, and searching, social networking sites such as Twitter, Facebook and Blog's. Requests for proposals have come from agents to Twitter followers.

    Publishers search blogs and websites for information on potential clients. The industry is moving more and more into digital interaction. The key is knowing how to use these tools to expand your audience, and for new authors, how to show potential publishers and agents you are willing to take the extra step and promote yourself to your reading public.

    Course Topics:

  • - Overview of Social Networking
  • - Types/sites: example: twitter, flickr, scribed, facebook, wordpress, linkedin etc...
  • - Social networking amongst generations (Baby Boomer's, Gen X, Gen Y)
  • - Business Applications for the Writer
  • - Getting Started
  • - finding your voice (your pen-name persona)
  • - cross-population: having all your sites talk to each other
  • - start small (twitter, facebook, blog)
  • - how 1 feed can make a difference
  • - Branding & Marketing (how social networking can help solidify your brand)
  • - Safety and proprietary information

    PRESENTER BIO
    As well as being a published author of Romantic Suspense, Nika Dixon is a part-time college professor teaching in the field of Multimedia and Technology. She also consults with businesses and corporations in the areas of Social Networking, Multimedia and Trending. Visit her online at: nikadixon.com


    July 2010

    WRITING A PAGE-TURNER


    Instructor: Liz Lounsbury
    DATES: July 12th - August 8th, 2010
    REGISTRATION DEADLINE: July 11th, 2010

    COURSE DESCRIPTION
    Tension, conflict and strife. We hate these things in our real lives, but in fiction, it’s what keeps the readers turning the pages. You need problems, obstacles, and a few well-placed crises to keep your story interesting. But how do you create a page-turner without destroying the romance?

    This class examines the elements that create compelling fiction. From characterization to conflict, from tension to pacing, this class covers it all. We’ll look at how you create realistic stories that are so enthralling and compelling, the reader can’t stop turning the pages. Each lesson will include a lecture with examples and exercises so you can try the techniques and principles explained.

    This class includes the following lectures:

  • Introduction and Overview
  • The elements of a page-turner
  • Building a page-turner plot
  • Creating compelling character arcs
  • Utilizing external conflict and tension
  • Pacing the story for maximum effect
  • Developing a realistic romance
  • Using cliff-hangers and hooks
  • Wrap-up and resources

    PRESENTER BIO

    Liz Lounsbury writes as Liz Jarrett and as Daly Thompson (along with Barbara Daly). She’s been writing stories since she was a child. After graduating from college with a Master’s in English, she was a technical writer for twelve years before she decided to stay home with her children. During their naps, she started writing again, this time focusing on fiction. She naturally turned her attention to her favorite type of stories--romances.

    After joining RWA, Liz participated in numerous chapter contests, winning and placing in over 30. In 1999, she sold her first book to Harlequin Duets. Since then, she's sold fourteen books. She's also taught writing at both the high school and college level.

    Some of her current releases are SURPRISE DAD and DREAM DADDY from Harlequin American.

    Rates


    August 2010

    SIX KEYS TO A WINNING NONFICTION BOOK PROPOSAL


    INSTRUCTOR: Virginia McCullough
    DATES: August 16th – 29th, 2010
    COST: $10 - Members, $20 - Non Members
    REGISTRATION DEADLINE: August 14th, 2010

    COURSE DESCRIPTION
    Many novelists nurture ideas for nonfiction books, but lack the know-how to create effective book proposal packages, the basic marketing tool for nonfiction books, particularly for memoir, how-to, and self-help. The world of nonfiction has its own conventions and etiquette, and unique—and constantly changing—proposal package formats. This workshop covers six key components of a winning nonfiction book proposal: Hook, Reason, Readers, Timing, Author, and Platform.

    The “six keys” concept provides a shortcut to constructing a proposal sure to attract attention of agents and editors. The workshop format breaks down each key, and discusses its importance in all types of nonfiction. For some authors, timing is everything, but for others, credentials are more important than anything else. In addition to illuminating each step in the proposal process, the workshop includes a discussion of the additional components of the package, including sample chapters, spin-off projects and supporting materials.

    PRESENTER BIO
    Two-time Golden Heart finalist, and seasoned workshop presenter, Virginia McCullough has run her own fulltime writing business for over twenty-five years. As a ghostwriter/editor, she has written over 100 books for her clients and coauthors, who include doctors, therapists, and other healthcare professionals, speakers, attorneys, and other professionals. Her eleven coauthored books include her 2009 Sourcebooks release, Option Trading in Your Spare Time: A Guide to Financial Independence for Women, written with option trading expert Wendy Kirkland. Her 2008 release, 52 Ways to Bring More Humor, Hugs, and Hope into Your Life, was coauthored with professional speaker, Greg Risberg, MSW, a professional speaker. The Oxygen Revolution (Sourcebooks 2007), written with hyperbaric medicine pioneer, Paul Harch, MD, is coming out in softcover and digital format in 2010 and a Slovakian edition is scheduled for April 2010.

    Virginia initially broke into publishing through magazine articles on family living, women’s issues, children’s literature, and sailing. A member of the Author’s Guild, the American Society of Journalists and Authors, and the National Speakers Association, she has

    presented numerous “live” workshops on writing/publishing issues and while living in Chicago, she presented her workshop, “How to Get Your Published,” more than a dozen times. Her two-week online versions of Six Keys to a Wining Nonfiction Book Proposal offered by two RWA chapters were well-attended and well-received. (She’s also given a popular four-week online workshop, The Joy of Independence, for two RWA chapters.)

    Virginia’s contemporary single-title manuscripts have won numerous chapter contests. Since she enjoys nothing more than hanging out with other writers, she belongs to several RWA chapters in addition to her home group, the Wisconsin Romance Writers of America (WisRWA), and enjoys producing essays for chapter newsletters. The mother of two grown children, Virginia currently lives in Green Bay, Wisconsin, but has lived in several states and the U.S. Virgin Islands. Visit her online at: www.virginiamccullough.com

    rates


    September 2010

    THE JOY OF INDEPENDENCE: SEVEN MINUTES TO A FULLTIME WRITING BUSINES



    INSTRUCTOR: Virginia McCullough
    DATES: September 2nd – 29th, 2010
    COST: $15 - Members, $25 - Non Members
    REGISTRATION DEADLINE: August 31st, 2010

    COURSE DESCRIPTION
    In addition to the joy they find in writing, some authors have another great passion: they yearn for professional independence. Using a series of leading questions and a 7-minute brainstorming exercise, this workshop invites participants to dig deep into their well of interests, professional expertise, life experience, and creativity to explore nonfiction writing as a path to a writing business.

    Designed for those who dream about working for themselves and writing fulltime, The Joy of Independence provides information about opportunities available in a variety of nonfiction venues, including commercial/corporate markets, magazines and newspapers, nonfiction books, and ghosting/editing for individual clients.

    The desire for independence is the primary motivation to explore the possibilities this workshop offers. The stage of one’s writing career isn’t important and is of interest to both published and unpublished alike. An essential part of this workshop is the opportunity to ask “how to” questions about getting started, balancing projects, reaching markets, setting goals and timelines, and coping with the ups and downs of self-employment.

    PRESENTER BIO

    Two-time Golden Heart finalist, and seasoned workshop presenter, Virginia McCullough has run her own fulltime writing business for over twenty-five years. As a ghostwriter/editor, she has written over 100 books for her clients and coauthors, who include doctors, therapists, and other healthcare professionals, speakers, attorneys, and other professionals. Her eleven coauthored books include her 2009 Sourcebooks release, Option Trading in Your Spare Time: A Guide to Financial Independence for Women, written with option trading expert Wendy Kirkland. Her 2008 release, 52 Ways to Bring More Humor, Hugs, and Hope into Your Life, was coauthored with professional speaker, Greg Risberg, MSW, a professional speaker. The Oxygen Revolution (Sourcebooks 2007), written with hyperbaric medicine pioneer, Paul Harch, MD, is coming out in softcover and digital format in 2010 and a Slovakian edition is scheduled for April 2010.

    Virginia initially broke into publishing through magazine articles on family living, women’s issues, children’s literature, and sailing. A member of the Author’s Guild, the American Society of Journalists and Authors, and the National Speakers Association, she has

    presented numerous “live” workshops on writing/publishing issues and while living in Chicago, she presented her workshop, “How to Get Your Published,” more than a dozen times. Her two-week online versions of Six Keys to a Winning Nonfiction Book Proposal offered by two RWA chapters were well-attended and well-received. (She’s also given a popular four-week online workshop, The Joy of Independence, for two RWA chapters.)

    Virginia’s contemporary single-title manuscripts have won numerous chapter contests. Since she enjoys nothing more than hanging out with other writers, she belongs to several RWA chapters in addition to her home group, the Wisconsin Romance Writers of America (WisRWA), and enjoys producing essays for chapter newsletters. The mother of two grown children, Virginia currently lives in Green Bay, Wisconsin, but has lived in several states and the U.S. Virgin Islands. Visit her online at:www.virginiamccullough.com

    rates


    October 2010 Registration Now Open

    PAST LIFE REGRESSION FOR THE WRITER'S SOUL: A NEW APPROACH TO CHARACTER CREATION


    INSTRUCTOR: Dawna Richard
    DATES: October 3rd – 30th, 2010
    REGISTRATION DEADLINE: SEPTEMBER 30TH, 2010

    COURSE DESCRIPTION
    Have you ever had the feeling that you have been to a certain place or time or experienced reoccurring dreams? Have you had a lifelong phobia that you have no explanation for? This could be an indication that you have lived before. Whether you are interested in exploring the possibility of a past life or you are just looking for that next story idea, this class is for you. Learn a little about yourself and unleash a plethora of new ideas along the way. Through past life regression/self meditation techniques, you will have the chance to explore the workings of your mind and gain the tools to uncover a story and characters waiting to be written.

    This class was created to help find inspiration and new story ideas through self meditation past life regression techniques. There are a total of 10 lessons. The class covers the exploration of past life regression through self meditation techniques. Students are encouraged to share their experiences during the class and discuss story ideas that may develop during the 4 week session.

    PRESENTER BIO
    Dawna Richard is a founder and lead investigator of California Paranormal Research and Enlightenment. She has more than 15 years’ experience with reading Tarot, past life regression, and paranormal research. She lives in sunny California with her husband, son, and three dogs. When she’s not working or out investigating, you can find her pursuing her goal of becoming a published author.

    rates


    November 2010 Registration Now Open

    THE “W” PLOT…OR THE OTHER WHITE MEAT FOR PLOTTERS©


    INSTRUCTOR: Karen Docter
    DATES: November 1st – 30th, 2010
    COST: $15 - Members, $25 - Non Members
    REGISTRATION DEADLINE: October 29th, 2010

    COURSE DESCRIPTION
    One of the staples of any writers' group conversations is the plot. It's integral to every novel, holds everything together. It's the vehicle that carries readers from page one to “The End”. It's one of the scariest things an author faces when s/he decides, hey, I want to write a novel!

    How many of us have made this decision, then stared at that blank page or computer screen without a clue how to proceed? What about those of us who write by the seat of our pants, the pantsers? Do we dare risk scaring off our muse by [shudder] plotting our story? How do the mega-plotters, the overachievers, know when it's time to stop and just put pen to paper?

    Join four-time Golden Heart finalist and Daphne du Maurier winner Karen Docter as she shares the “W” plotting technique she's used successfully for more than 12 years.

    Karen analyzes the movie “Romancing the Stone” to show how the technique works, discussing the detailed plot points for the main characters including the villain. Throughout this 4-week online workshop, you"‘"ll uncover the skeleton of your own novel. Whatever your genre, by the end of the class not only will you have the tools you need to finish plotting your story using the “W”, you'll know how to use it to write the synopsis we all love to hate…all without writing one word of the novel.

    If you”‘“ve already started your novel, that's okay. It's never too late to apply the principles of the “W” to your developing story. Have you run into a wall? Don't know where to go next? Has the story gone flat? Use the technique to pull apart the elements of your story so you can plug the holes, work through/over/around walls that loom in your path, and get moving on your story once again.

    This is a hands-on-your-own-book workshop designed for the novice or the experienced writer.

    PRESENTER BIO
    Karen Docter won the Category (Series) Romantic Mystery Suspense unpublished division of the 2005 Daphne du Maurier Award. She's a four-time Golden Heart finalist and a Charter member of The Golden Network & RWA® PRO®. Also a member of Colorado Romance Writers, KOD & From The Heart chapters, she writes single title romantic suspense. In addition to her thirty-year business background, she holds a B.A. in Technical Journalism. To foster literacy, she's been a speaker at local Jr./High schools, tutored composition and reading classes, and taught college level English Composition. She regularly judges several writing contests every year, including RWA's Golden Heart Contest.

    If you're interested in more information about Karen, please check out her website at http://www.karendocter.com or email her at kldocter@yahoo.com for more information.

    rates


    December 2010



    January 2011



    February 2011 Registration Opening Soon

    LOGLINES – JUST THE FACTS, MA’AM


    INSTRUCTOR: Cindy Carroll
    DATES: February 1st – 14th, 2011
    COST: $10 - Members, $15 - Non Members
    REGISTRATION DEADLINE: January 28th, 2011

    COURSE DESCRIPTION
    A good logline can make people sit up and take notice. Whether you write books or scripts the logline is an essential part of your marketing material. And it can also help you stay on track. Just the facts, Ma’am covers what makes a good logline and how to use it to stay focused on the story.

    Topics covered include turning your idea into a logline, the three line pitch, generating ideas, high concept and using loglines to stay on track.

    PRESENTER BIO
    Cindy Carroll joined RWA in 1992 and started out writing novels but turned to scripts when an idea for one of her favorite television shows wouldn't leave her alone. That first attempt, and her second teleplay for the same show, garnered her honorable mention in the Writer's Digest 76th Annual Writing Competition in the screenplay category. She graduated from Hal Croasmun's screenwriting ProSeries intensive in June of 2008. Her interview with David Rambo, writer/producer for CSI appeared in the summer special edition of The Rewrit, the newsletter for Scriptscene, Romance Writers of America's screenwriting chapter. Currently working on the rewrite of her second feature, Cindy is also developing two new television pilots.

    Visit her online at: www.cindycarroll.com


    STEAMED UP: THE ANATOMY OF WRITING STEAMPUNK


    INSTRUCTOR: Beth Daniels
    DATES: February 1st – 28th, 2011
    COST: $15 - Members, $25 - Non Members
    REGISTRATION DEADLINE: January 29th, 2011

    COURSE DESCRIPTION
    Toss another shovel full of coal on the fire, it’s time to get steamed up with steam punk, one of the newest “societies” around.

    What qualifies it as a society? Let’s see, there are graphic novels, jewelry, apparel, home accessories, music, movies, video games, roll playing games, and, oh, yeah, novels all circling around the essence of steampunk. And if you loved the Robert Downey Jr. SHERLOCK HOLMES movie, enjoy Victorian settings or alternative history in your reading material, and a touch of the paranormal or magic, steampunk may be just up your alley…or mews. It could certainly intrigue your writing muse!

    Now, while you may decide to reconfigure your computer to look like it was produced by a 19th century craftsman or want to don Victorian styled clothing when you sit down before it (in a comfy winged and tufted armchair, of course), if you are intrigued by steampunk’s growing popularity and are thinking of swinging aboard this particular locomotive, there are a few…well, quite a few, really…elements to take into consideration.

    And that’s what this workshop aims to do.

    We’ll look at the basic requirements for any steampunk tale. We’ll consider what’s been published, what’s been filmed, where to search out the historical data necessary, how to warp it into what we need it to be, and…well, get ourselves really steamed up over writing what looks to be a very promising land for new manuscripts.

    There will be lists and lists and lists of books to read, be they the current crop of steampunk titles or the classics upon which the concept is founded – does the name Jules Verne ring a bell? Considering how “new” the genre appears to be, it’s been around in graphic novels, movies, and television series since before the 1980s. And in fantasy novels even longer. Steampunk is basically alternative history, taking inventions out of their time period and plunking them down in another, in time travel, the paranormal world, and in magic.

    And because the setting is frequently (but not always) Victorian England, things can get shrouded in fog. But that’s what this workshop aims to do: clear the fog over the anatomy of a steampunk novel, and create a visual guideline on how to write steampunk fiction.

    PRESENTER BIO
    Beth Daniels currently writes as Beth Henderson and J.B. Dane, though she answered to Lisa Dane and Beth Cruise in the past as well. She has worked with editors at Berkley, Zebra, Leisure, Harlequin/Silhouette, and Simon and Schuster's Aladdin Paperbacks, done e-books for a now defunct company (not her fault, she says), and began her writing life with hardcover books slated for library use with a publisher that got out of the romance business (again, not her fault). More recently she’s had a number of articles about writing picked up by e-zines, saw a short story published in a mystery and suspense magazine that turned up its toes the next year (really, really not her fault), and has a story in the MOTHER GOOSE IS DEAD anthology slated for publication by Dragon Moon Press sometimes in 2010.

    For over a dozen years Beth taught college level composition, both in the classroom and online, and a credit course on Novel Writing. Five of her former Novel class students are now published.

    Twenty-six of Beth’s manuscripts have appeared in print or e-book format. These have been historical romantic adventures (6), romantic comedies (10), romantic-suspense (3), and young adult romantic comedy (7). Her titles have appeared in 12 different languages in over 20 countries. At the moment she is working on various manuscripts and attempting a collaboration with another RWA member on a contemporary/fantasy/romantic adventure. She also ventured into self-publishing to keep her out-of-print backlist in print, but previous e-books in print, and in frustration, to move beyond a manuscript she’d been reworking for editors for a decade with no bites, released a previously unpublished historical romantic adventure set in the American West.

    She is currently/or has been a member of/or about to renew membership in Romance Writers of America, Sisters in Crime, Novelist Inc., and Historical Novelist Society.

    Visit her online at: RomanceAndMystery.com


    March 2011



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